Guide: Making an ultra realistic silicone hand

Guide: Making an ultra realistic silicone hand

In this guide you will learn step by step how to make a lifelike copy of a hand using alginate and skin friendly silicone. With colourant and flocking you create a natural skin tone with depth. Suitable for both beginners and advanced makers.

📄 Download this guide as a PDF

What will you make?

You first make an impression mould of a real hand using alginate, a fast curing and skin friendly impression material. Then you cast into that mould a soft, very flexible silicone that you have brought to skin tone beforehand with flocking. The result is an ultra realistic copy of the hand, including skin lines, veins and nails.

The combination of flocking fibres in the A and the B component gives the silicone a natural colour depth that cannot be achieved with pigment alone. The technique works for hands, feet and other body parts.

💡 Suitable for: realistic body parts, props, special effects and cosplay. Soft Flex 00-35 is very soft and skin friendly, which makes the end product feel natural.

Required materials

🧰 Arrange yourself

  • A large bucket or container of about 1900 ml to mould the hand in
  • Cold tap water
  • A mixer for the alginate
  • A hair dryer to dry the alginate
  • An apron to protect your clothing

Product specifications: Silicone Soft Flex 00-35

PropertyValue
Mixing ratio1 to 1 by weight (A to B)
Pot lifeabout 6 to 8 minutes
Curing timeabout 16 to 18 minutes
Temperature resistancesuitable for skin contact, hardness Shore 00-35
Suitable formasks, props, realistic body parts
Release agent needed?not needed in an alginate mould

Preparation

Read the whole guide before you start. Make sure the sleeve of the hand to be moulded is rolled up and that all materials are ready. Put on an apron to protect your clothing. Work in a space where you can spill.

Timing is important in this project. Soft Flex 00-35 has a short pot life of 6 to 8 minutes, and the alginate cures within a few minutes. Therefore prepare the coloured silicone first and only mould the hand afterwards, so that you can cast immediately after.

⚠️ Mind the time: Soft Flex 00-35 has a pot life of only 6 to 8 minutes. The alginate also cures quickly and then begins to expel water. Work swiftly and without interruptions once you start mixing.

Step by step guide

Weigh and colour the silicone A component

Pour 350 grams of Soft Flex A component into a mixing cup. Add a small base amount of flocking as a starting colour and mix to an even mixture. The flocking fibres give the silicone a natural colour depth.

350 grams of silicone A component weighed on a scale
Fig. 1 – 350 grams of A component in a mixing cup

Build the skin tone with flocking

Build the desired skin tone with flocking. For a standard skin tone you combine red flocking with a small amount of blue flocking. For a redder skin you add more red flocking. Add small amounts each time and mix regularly until the right colour is achieved.

💡 Tip: For a dark skin you combine brown flocking with black and blue. Work in small steps, you can always add colour but not remove it.
Red flocking added to the silicone mixture
Fig. 2 – Red flocking added to the mixture

Colour the B component identically

Repeat the colouring with the B component. Weigh 350 grams of B component in a new cup and add exactly the same amounts of flocking as with the A component. Mix well. If done correctly, the B component has exactly the same colour as the A component.

Blue flocking added to balance the skin tone
Fig. 3 – Blue flocking added for a natural skin tone

Mould the hand with alginate

Fill a container of about 1900 ml with 1200 ml of cold tap water. Sprinkle 400 grams of alginate powder onto the water and start mixing immediately. Mix for about 30 seconds to an even mass. Do not mix too long and proceed directly to the next step.

💡 Tip: For mixing alginate preferably use a mixer and not a spatula. The mixer is easy to clean again and alginate is not toxic.
400 grams of alginate are added to the water and mixed
Fig. 4 – Add alginate powder to the cold water

Immerse the hand in the alginate

Immerse the hand in the gel as soon as the alginate is mixed. Move the hand briefly so that air bubbles loosen and float to the top. Then hold the hand still in the correct position until the alginate changes colour. After about 2 to 3 minutes it has cured and you can carefully pull the hand out.

⚠️ Do not wait too long: After curing the alginate slowly begins to expel water, which reduces the quality of the silicone result. Therefore cast the silicone into the mould shortly after demoulding.
The alginate changes colour as a sign that it is curing
Fig. 5 – The alginate changes colour as a sign that it is curing

Prepare the mould for casting

Hold the mould upside down briefly so that expelled water can run out. Set the mould upright again and dry the alginate briefly and carefully with a hair dryer. Do not make the alginate too warm or too dry, because then detail can be lost.

The alginate is briefly dried with a hair dryer before casting
Fig. 6 – Dry the alginate briefly with a hair dryer

Mix and cast the silicone

Pour the coloured A and B component together and mix well. Scrape along the edges of the cups so that the full contents are used. Then cast the silicone into the mould in a thin stream. Fill the mould two thirds and hold it at an angle so that air can flow out of the fingertips. Then fill further up to the top.

💡 Tip: Due to the short pot life of 6 to 8 minutes you have to work swiftly. Mix and cast without interruption.
The alginate mould is completely filled with the coloured silicone
Fig. 7 – The alginate mould completely filled with silicone

Demould and finish

Wait about an hour and then remove the alginate from the silicone. Rinse the hand with warm water, this is good for the curing process. The hand may still be slightly glossy. Work the gloss away by dusting the hand with talcum powder for a natural matte skin.

The alginate is removed from the cured silicone hand
Fig. 8 – The alginate is removed from the silicone
End result, an ultra realistic silicone copy of a hand

End result: an ultra realistic copy of a hand, with a natural skin tone and detail down to the skin lines and nails.

Special notes

  • Work swiftly, because both the alginate and the silicone have a short working time.
  • Always add flocking in small steps and mix regularly, you can no longer remove colour.
  • Keep the A and the B component exactly equal in colour, otherwise the end product discolours unevenly.
  • Cast the silicone shortly after demoulding the alginate mould, before the alginate expels too much water.
  • Dry the alginate only briefly, too much heat damages the detail.

Storage

Uncured components

Store the A component and the B component well sealed between 10 and 25 degrees Celsius, away from direct sunlight. Store alginate powder dry and airtight, moisture makes the powder clump. Close packaging immediately after use.

Cured end product

Store the silicone hand in a dry space at room temperature, away from direct sunlight. Lightly dust the hand with talcum powder to prevent sticking and to preserve the natural appearance.

Frequently asked questions

Why do I use flocking and not ordinary colourant?

Flocking fibres give the silicone a natural colour depth that cannot be achieved with pigment alone. The fine fibres mimic the subsurface colour nuances, which makes the end result look much more realistic.

Is the alginate safe for the skin?

Yes. Alginate is a skin friendly impression material that is not toxic and can be safely applied to the skin. It is also used for body casting of baby hands and pregnant bellies.

Why do I have to work so quickly?

Soft Flex 00-35 has a pot life of only 6 to 8 minutes and the alginate cures within a few minutes and then expels water. Therefore prepare the coloured silicone before you mould the hand, so that you can cast immediately.

How do I keep the skin tone equal in both components?

Weigh the flocking accurately and add exactly the same amounts to the A and the B component. Mix both until they have visually the same colour. An uneven colour distribution leads to patches in the end product.

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