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A brush on mould, also called a spatula mould or glove mould, is the technique where you build up a silicone mould layer by layer directly on the original instead of pouring silicone over it. You use up to eighty percent less material, you can mould objects that would never fit inside a mould box, and you can mould on site, for example a wall, a floor, a monument or a large sculpture.
This guide covers the complete technique: material selection, preparation of the original, the layer build up, working on vertical walls and in internal corners, thickening the silicone, the support shell and preventing air bubbles. At the end you will find a troubleshooting section and frequently asked questions.
With a poured mould you place the original inside a mould box and fill it with liquid silicone. With a brush on mould you apply thickened silicone directly onto the original using a brush or spatula, in several thin layers, until you reach a wall thickness of roughly five to ten millimetres. The mould then follows the contour of the object.
Because a brush on mould is only a thin skin, it almost always needs a support shell to hold its shape. This support shell, also called a mother mould, is made from plaster, polyurethane, epoxy with glass fibre or rigid PU foam.
| Situation | Poured mould | Brush on mould |
|---|---|---|
| Small flat object with little volume | Best choice | Unnecessarily laborious |
| Large or bulky object | Very expensive, a lot of silicone | Best choice |
| Object that cannot be moved | Not possible | Best choice |
| Vertical wall, facade or floor | Not possible | Best choice |
| Very fine surface detail | Best choice | Achievable with a thin contact layer |
| Deep cavities and undercuts | Risk of trapped air | Easier to control |
| Tub or tray shape with high side walls | Requires a lot of material | Best choice, with a support shell |
For a brush on mould you use an RTV 2 silicone rubber that you thicken yourself with a thixotropic additive, or a silicone that is already spreadable from the factory. Both work, but the choice between condensation and addition cure determines whether your project succeeds.
⚠️ Important with polyester, plaster, clay and wood
Polyester continues to release styrene vapour long after manufacture. That vapour blocks the cure of platinum silicone at the contact face, even through a layer of release wax. In that case choose condensation silicone, or seal the original completely first with an acrylic or polyurethane lacquer. Always run a drop test afterwards before making the full mould.
Thickening it yourself gives you full control over the viscosity of each layer and is more economical. A ready to spread silicone saves time and gives a consistent result, which is helpful on large surfaces and for on site work where time is short.
Lay everything out before you start. The working time of a mixed batch is limited, often no more than twenty to sixty minutes, and during that time you cannot walk away to look for something.
Ninety percent of failed moulds trace back to preparation. The silicone reproduces every detail, which includes dust, fingerprints, scratches and leftover release agent.
| Substrate | Risk | Approach |
|---|---|---|
| Polyester and gelcoat | Styrene vapour inhibits platinum silicone | Use condensation silicone, or seal with acrylic or PU lacquer and test |
| Plaster, concrete, natural stone | Porous, bonds to silicone, draws moisture | Apply sealer or shellac, then release agent |
| Wood, MDF | Porous, resin and moisture | Primer or sealer, then release agent |
| Plasticine and sulphur based clay | Sulphur inhibits platinum silicone | Use sulphur free clay, or condensation silicone |
| Latex and rubber | Sulphur and plasticisers | Seal and test, when in doubt use condensation silicone |
| PVC and soft plastics | Plasticiser migration | Seal with lacquer, always test |
| 3D prints in PLA or resin | Residual monomer and layer lines | Post cure fully, sand, prime |
| Metal, glass, glazed ceramic | Little risk, but adhesion | Degrease and apply release agent |
A good brush on mould consists of at least two and often three functional layers. Each layer has its own job and its own viscosity. Never mix all the silicone you need for the entire mould in one go, because the first batch will have cured before you reach the final layer.
The contact layer determines the quality of the mould. This layer is barely thickened, roughly zero to one drop of thixotropic additive per hundred grams, so that it flows out thinly and picks up every detail. Aim for a film of about half a millimetre.
The build up layer is clearly thickened so that it stays put and gives the mould thickness. Apply this layer as soon as the contact layer is tacky, meaning sticky but no longer liquid. Within that window the layers bond chemically into one body.
The finishing layer brings the mould to its final wall thickness and gives an even surface for the support shell to sit against. On large or heavily loaded moulds you embed a reinforcement scrim or fibre mat into the still wet silicone at this stage and spread a final layer over it.
| Mould type | Recommended total wall thickness |
|---|---|
| Small object up to fifteen centimetres | 4 to 6 millimetres |
| Medium object, tub or tray shape | 6 to 10 millimetres |
| Large object or vertical wall on site | 8 to 15 millimetres, with reinforcement |
| Mould for concrete or stone like castings | 10 to 15 millimetres |
⚠️ The tacky window is the single most important moment in the process
Apply the next layer too early and the layers blend together and your build up slumps. Apply it too late, meaning when the previous layer already feels fully cured and dry, and you get a weak bond where the layers can delaminate later. Test with a clean finger on an unimportant spot: the layer may feel sticky, but nothing should come away on your finger.
This is where most brush on moulds fail. On a flat horizontal object almost any technique works. On a vertical wall, inside a tub shape or in a deep internal corner, only the correct handling works.
On a vertical wall the thin contact layer sags under its own weight. Thin or open spots appear at the top and material accumulates at the bottom. Lay the thickened build up layer over that and you trap air between the two layers, precisely where the mould is most visible.
In internal corners, where the floor meets the side wall, air is at its most persistent. The brush never truly reaches the corner, the silicone bridges over it and an air channel is left behind.
A brush on mould tolerates more undercut than a poured mould because the thin silicone skin is flexible. There is still a limit. For deep undercuts, plan a cut line in the mould and a split support shell so you can open the mould when demoulding. Make the cut in a zigzag rather than straight, so the mould closes back together precisely.
⚠️ Not every bubble is a problem
If the bubbles sit within the wall thickness and not in the mould surface, they are purely cosmetic and have no effect at all on your castings. Only bubbles in the contact face, meaning the side that sat against the original, will reappear in every product. So determine exactly where the bubble sits before rejecting a mould.
A thixotropic additive makes silicone non sagging without materially changing the properties of the cured rubber. The silicone becomes thin as soon as you move it and thick as soon as it rests. That lets you apply it to a vertical wall without it running off.
| Layer | Thixotropic additive dosage | Behaviour |
|---|---|---|
| Contact layer | 0 to roughly 0.05 percent, so zero to one drop per hundred grams | Still flows out, captures detail perfectly |
| Build up layer | 0.5 to 1 percent | Stays on a vertical wall, spreads well |
| Finishing layer and overhead work | 1 to 2 percent | Very stiff, stays on a ceiling |
The practical test: the silicone is thickened enough when you can apply it about one centimetre thick to a vertical wall with a spatula without it sagging within a minute.
⚠️ More is not better
Overdosing the thixotropic additive makes the silicone short and crumbly, raises the hardness, reduces tear strength and traps air permanently in the mix. Stay within the stated range and thicken in several small steps rather than one.
A brush on mould five to ten millimetres thick has no dimensional stability of its own. Without a support shell it sags, deforms while filling and your castings will not be dimensionally accurate. Only on very small and shallow moulds can you leave the support shell out.
| Material | Advantage | Disadvantage |
|---|---|---|
| Plaster with hessian | Cheap, fast, forgiving | Heavy and brittle |
| Acrylic resin with fibre | Stronger and lighter than plaster, low odour | Slightly more expensive |
| Epoxy with glass fibre | Very rigid and light, long service life | Labour intensive, needs good ventilation |
| Polyurethane or PU foam | Very fast and light | Less rigid, moisture sensitive |
Work at eighteen to twenty five degrees and at a relative humidity of forty to seventy percent. Condensation silicones need atmospheric moisture to cure. In a dry and cold room the cure takes considerably longer than the stated guide time, especially in the core of a thicker layer.
Guide times in product documentation apply to ideal conditions and to a single poured layer. In a brush on mould you build several layers, and the bottom layer was applied first but cures through last. So deliberately allow extra time.
| Problem | Likely cause | Solution |
|---|---|---|
| Air bubbles in the mould surface | Contact layer too thick, brushed back and forth or corners bridged | Apply the contact layer thinner and by stippling, dab corners first |
| Air bubbles only within the wall thickness | Air trapped between build up layers | Cosmetic, no action needed, build in thinner passes next time |
| Silicone runs off the side wall | Not thickened enough or too thick a pass at once | Increase the thixotropic dosage and work in thinner passes |
| Layers separate from each other | Next layer applied outside the tacky window | Apply the next layer once the previous one is sticky but transfers nothing |
| Layer against the original stays tacky | Inhibition from the substrate or incomplete mixing | Seal and test the substrate, or switch to condensation silicone |
| Detail has blurred or flowed out | Demoulded too early while the bottom layer had not cured through | Wait at least twenty four hours, forty eight when in doubt |
| Mould is uncured in places | Poor mixing along the bottom and sides of the cup | Use pigment in component B so the mixing becomes visible |
| Mould tears during demoulding | Wall too thin, too much thixotropic additive or point loading | Build thicker, lower the dosage, release evenly all around |
| Mould deforms while casting | No support shell or one that is too flexible | Make a rigid support shell and support the mould inside it |
| Mould bonds to the original | Porous substrate without sealer or release agent | Apply sealer, let it cure, and only then apply release agent |
Virtually any RTV 2 silicone can be thickened, provided you use the correct additive for the correct type. Use a thixotropic additive suited to condensation silicone for condensation cure, and a suitable additive or fumed silica for addition cure. Ask us if you are unsure about a specific product.
Calculate the surface area of the original in square centimetres and multiply it by the desired wall thickness in centimetres. That gives the volume in cubic centimetres. Multiply that by roughly 1.1 to 1.2 for density and add twenty percent for losses. For a tub of thirty by twenty by ten centimetres with an eight millimetre wall you arrive at approximately one and a half kilograms.
Technically yes, but the result is almost always worse. A thick thickened layer applied straight onto the original traps air and gives a dull and inaccurate mould surface. The separate contact layer and build up layer are not a luxury, they are the core of the technique.
With addition silicone this is almost always inhibition, caused by sulphur, tin, latex, styrene or residues of certain adhesives and modelling clays. With condensation silicone the cause is usually an inaccurate mix ratio, incomplete mixing or a very dry environment.
That depends on the casting material and on the use of release agent. With plaster or acrylic resin a condensation mould typically yields several dozen to well over a hundred castings. With polyester or polyurethane the mould wears faster due to chemical loading. A platinum mould lasts considerably longer.
Yes. Clean the damaged area, abrade it lightly and apply fresh silicone of the same type. For reliable adhesion to fully cured silicone, use a silicone adhesive or a primer. A tear running through the full wall thickness can be repaired but will remain a weak point.
Only when you use a silicone certified for that purpose, which in practice means addition cure silicones. Condensation silicones are not suitable for food contact. Contact us if you want to make a mould for foodstuffs and we will advise on the correct product and the accompanying documentation.
Our specialists work with these materials every day. Tell us what you want to mould and what the original is made of, and we will advise you on the right product, the right hardness and the right preparation.
Ask a specialist View the siliconesNo rights can be derived from this description. Always read the safety data sheet and the technical data sheet of the relevant product before use, and work in a well ventilated area with appropriate personal protective equipment.
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